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13 <h1>Music I Enjoy</h1>
14 <div class="contents">
15 <dl>
16 <dt>
17 <a href="#sec1">The Bands I Like the Most</a>
18 </dt>
19 <dd>
20 <dl>
21 <dt>
22 <a href="#sec2">Skyclad</a>
23 </dt>
24 <dt>
25 <a href="#sec3">Kevin Moore</a>
26 </dt>
27 <dd>
28 <dl>
29 <dt>
30 <a href="#sec4">Chroma Key</a>
31 </dt>
32 <dt>
33 <a href="#sec5">OSI</a>
34 </dt>
35 </dl>
36 </dd>
37 </dl>
38 </dd>
39 </dl>
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41
42
43 <!-- Page published by Emacs Muse begins here --><p>I have a <a href="http://www.last.fm/user/unknown_lamer/">last.fm</a> account.</p>
44
45 <h2><a name="sec1" id="sec1"></a>
46 The Bands I Like the Most</h2>
47
48 <h3><a name="sec2" id="sec2"></a>
49 Skyclad</h3>
50
51 <p class="first">Skyclad is incredible folk metal. The first two albums (<em>Wayward Sons
52 of Mother Earth</em> and <em>Burnt Offerings for the Bone Idol</em>) are Testament
53 style thrash with a bit of fiddle and keys. The third album, <em>Jonah's
54 Ark</em>, blunts the edge of the guitars and adds a lot more fiddle and is
55 really where the band goes from making good to incredible
56 music.</p>
57
58 <p><em>Prince of the Poverty Line</em> is about as 'heavy' as the first two
59 albums, but the the song structures are far more worked out and there
60 is an interesting infusion of folk and power metal into the sound. The
61 songs are mostly scathing social critiques of the state of society at
62 the time. The follow up, <em>Silent Whales of Lunar Sea</em>, is a decent album
63 but is scarred by terrible recording quality and mixing. It has
64 listenable songs (with &quot;The Present Imperfect&quot; and &quot;Another Fine Mess&quot;
65 standing out), and the only really noteable aspect is the slight
66 change toward a much less thrashy riff structure.</p>
67
68 <p><em>Irrational Anthems</em> more than made up for <em>Silent Whales of Lunar
69 Sea</em>. The less thrashy and slightly more punkish riffing structure
70 takes over here and the songs are all fast paced with guitar and
71 fiddle duels taking place often</p>
72
73 <p>The next two albums see the electric guitar deemphasized and the band
74 making something more like heavy rock than heavy metal. The EP <em>Oui
75 Avante Garde a Chance</em> starts out with a fast paced fiddle oriented
76 song, moves into a nearly entirely fiddle and acoustic guitar song,
77 and then goes into a few slow songs dominated by keys and fiddle. The
78 albums picks up in intensity with <em>Bombjour</em>, and then has an acoustic
79 version of a song from the previous album. The new material ends with
80 the slow and intense <em>Badtime Story</em>. A couple of covers and an
81 instrumental version of a song follow to pad the EP to album length.</p>
82
83 <p><em>The Answer Machine?</em> is my favorite album in my entire collection. Most
84 of the songs have a fuzzy electric guitar and an acoustic guitar going
85 at the same time, and the album is music that I have found is
86 listenable to people who don't like metal. The fiddle, violin, and
87 piano dominate and are backed by interesting bass and just the right
88 amount of guitar. The album is a pseudo-concept album; each song is
89 about a different quest for the answer to life.</p>
90
91 <p>The last two Skyclad album with Martin Walkyier (the original singer)
92 see a two step return to a more metal style, but this time something
93 resembling <em>Powerslave</em> era Maiden with heavy folk overtones rather than
94 Testament. Both albums lack any weak songs, and have a few that are
95 among the best Skyclad has ever done: &quot;Cancer of the Heart,&quot; &quot;A Well
96 Beside the River,&quot; and &quot;Vintage Whine&quot; on <em>Vintage Whine</em>, and &quot;The
97 Antibody Politic,&quot; &quot;The Disenchanted Forest,&quot; and &quot;Think Back and Lie
98 of England&quot; on <em>Folkemon</em>.</p>
99
100 <p>Alas, after <em>Folkemon</em> Martin left, and the band seems to have lost its
101 magic. It is much like At the Gates; the core members meshed quite
102 well together and lost some magical chemistry upon a major component
103 leaving. Skyclad's first album with the new singer was ok, and perhaps
104 the next one will be better. Sadly Martin Walkyier decided to abandon
105 music forever.</p>
106
107
108 <h3><a name="sec3" id="sec3"></a>
109 Kevin Moore</h3>
110
111 <p class="first">Kevin Moore is the first keyboardist of Dream Theater who left after
112 <em>Awake</em>. His work since then has surpassed the quality of everything
113 Dream Theater has produced since then for he posesses a unique
114 songwriting style and wonderful artistic ability.</p>
115
116 <h4><a name="sec4" id="sec4"></a>
117 Chroma Key</h4>
118
119 <p class="first">Chroma Key is Kevin Moore's primary project. It is mostly electronic
120 and fairly mellow.</p>
121
122
123 <h4><a name="sec5" id="sec5"></a>
124 OSI</h4>
125
126 <p class="first">OSI was originally a collaboration between Kevin Moore, Jim Matheos
127 (guitarist of Fates Warning), Mike Portnoy (drummer of Dream Theater),
128 and a few other prog rock/metal people. The first album, <em>Office of
129 Strategic Influence</em> was a moderately heavy and good album that sounded
130 quite similar to <em>Disconnected</em> Fates Warning with Kevin Moore on vocals
131 and complicated drumming.</p>
132
133 <p><em>Free</em> followed three years later and is completely different from the
134 first. This time the album was done with Kevin Moore and Jim Matheos
135 alone, and it finds a much nicer balance between keyboard and
136 guitar. The first OSI sounded too much like Fates Warning with more
137 ambient keyboarding; this one has a sound of its own. My ears have
138 heard this album many times, and will listen again many more.</p>
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169 <p class="cke-footer">unknownlamer: Hail Satan
170 unknownlamer: And do drugs
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173 <p class="cke-timestamp">Last Modified:
174 March 13, 2008</p>
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